Choy Weng Yang, a pioneering figure in Singapore’s contemporary art scene, passed away at the age of 95 on August 7, 2025. His contributions as a visual artist, curator, and writer significantly shaped the post-independence Singaporean art world.
What Happened
Choy Weng Yang passed away at Alexandra Hospital on August 7, 2025, at the age of 95. Known for his long and influential career, Choy was a key figure in the development of modern art in Singapore. As a prominent visual artist and curator, his legacy extends to his significant contributions to the local and international art scenes. Choy’s work as a curator at the National Museum of Singapore and his artistic critiques and writings helped establish him as one of the leading advocates for post-modern arts in Singapore.
Who Was Choy Weng Yang
Born on July 12, 1930, in Singapore, Choy Weng Yang grew up in a time when Singapore was undergoing major transitions. He graduated from Hornsey College of Art in the UK in 1962 and later earned an Art Teachers’ Certificate from the University of London Institute of Education in 1963. During his time in London, Choy was exposed to the works of modern artists like Picasso and Mondrian, influences that would shape his future artistic style.
Choy worked as a lecturer in the Arts & Crafts Department at the Teachers’ Training College in Singapore before becoming the Curator of Art at the National Museum of Singapore in 1978. His dedication to promoting local artists and his critical approach to art movements were crucial to the development of contemporary art in Singapore. Choy continued to paint throughout his life, drawing influence from Western art and eventually integrating elements of Chinese ink and wash paintings into his works.
Background or Timeline
Choy’s artistic journey began in the UK, where he honed his craft and developed a deep understanding of modern art. Upon returning to Singapore, he became actively involved in the local art scene. As Curator of Art at the National Museum of Singapore, Choy played a crucial role in organizing exhibitions and fostering the growth of the Singaporean art community. He also wrote extensively on the subject, helping to shape the critical discourse on contemporary art in Singapore.
In 1985, Choy decided to retire from his curatorial role and dedicate himself fully to painting. His work during this period drew on his earlier experiences and exposure to Western art, with Monet’s use of light and Cézanne’s structural compositions influencing his own art. By the 1990s, Choy’s works reflected the influence of Chinese ink and wash painting, drawing inspiration from the great masters of Chinese art.
Throughout his career, Choy participated in numerous prestigious exhibitions, including the Singapore Art – Adelaide Festival of Arts in 1972, ASEAN Traveling Exhibition in 1981, and Salon des Artistes Francais in Paris in 1985. His work has been showcased in galleries across Singapore, Australia, Hong Kong, and France, and his impact as both an artist and curator is deeply felt in the art world today.
Public or Social Media Reaction
The news of Choy Weng Yang’s passing has been met with an outpouring of tributes from the local and international art community. Many artists, curators, and art enthusiasts have shared their admiration for Choy’s work and his invaluable contributions to Singapore’s art scene. On social media, fans have posted images of his works, remembering his legacy as one of the most influential figures in contemporary Singaporean art.
Official Statement or What Happens Next
Choy’s family has not yet issued an official statement following his death. However, his legacy will live on through his works, which continue to inspire new generations of artists. His extensive contributions to Singapore’s cultural landscape, particularly in the field of visual arts, will not be forgotten.
Closing
This story may be updated with more information as it becomes available.
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